Biography
[Print version]
   

High Notes of a Flautist.

Scene One: A little boy runs along the bathing ghats of Varanasi, bidding goodbye to his chums as his father waits impatiently for him. The family is leaving the city for Bombay in search of a better life and to escape from the hardship of a difficult existence.

Scene Two: The boy, now in his late teens, walks 12 kilometers every other day to his guru's house to learn the flute. A sincere disciple, has guru pats his head, encouraging him and telling him to persevere. The long walk home does not hurt him one bit.

Scene Three: With a string of awards, many albums of fusion music with leading names in the world of classical music, a musical score for the celebrated Hollywood film, "Primary Colours" and a Grammy nomination, the boy who is now a man, folds his hands as he accepts tile ovation for being a worthy successor to Pandit Hariprasad Chaurasia.

Pandit Ronu Majumdar's life reads like taut script. Not merely a story of a small-town lad making it big but a series of struggles and finally, the sweet smell of success.

"I treasure every moment of my musical quest — right from the days my father initiated me into classical music till this moment". His father, a struggling musician in Varanasi in the seventies, migrated to Mumbai for better professional prospects. Ronu remembers those tough initial years but still says struggle is very important for Artists.

Two of Ronu's latest albums, In Search of Life by Universal and Mysticism On Woodwinds by Magnasound are making waves. The first is a jugalbandi with Swiss pianist Christian Seiffert. It incorporates the pure melody of classical Indian ragas with structured western music rendered with remarkable finesse on the piano. The second is a solo recording of the morning raga series where he plays the languorous Nat Bhairavi.

For a classical instrumentalist, Pandit Ronu Majumdar is quite avant garde without consciously meaning to be so. He is not unduly worried by the criticisms of puritans who frown on classical pundits dabbling in popular music.


"I think a classical musician is better equipped to elevate the standards of popular music. Of course, this in no way means lowering standards of classical rendition. Do you know that Pandit Hari Prasad Chaurasia played the flute in the film, Hero No. 1? Does it take away from his greatness? The true artist is devoted to his music and not to it’s context " says Pandit Ronu Majumdar.

He has himself played the flute in Gulzar's award-winning film Maachis in which, perhaps for the very first time, a flautist's contribution in the film music is actually credited in the titles.

The music of the big Hollywood hit, Primary Colours just happened, according to him. Ry Cooder, the Grammy winner guitarist and John Hassels on the trumpet actually recorded the 'Wide Sky' composition in a church in Santa Barbara. It was a part of the album Fascinoma. Ry Cooder liked it so much that he used it in Primary Colours for which he was composing the music.

Though involved in fusion music, Ronu has never ignored his classical heritage and often plays at music festivals and concerts in India.
'"There are two things I want to emphasize. Fusion music is not about mish-mashing two traditions but enhancing the beauty by complementing each other. Thus fusion is not a style or fad wherein a gimmick is given respectability but it is bridge that serves to bring together musical traditions".

The other thing Ronu loves is his deep-felt joy when he plays for audiences in India. Whether it is the Harivallabh Sangeet Sammelan, small baithaks or mega concerts or an invocatory recital at the Sankat Mochan temple in Varanasi, Ronu is an eager participant.

"The response in India is amazing," he says and adds, "One of my main concerns is to roach out to the masses to banish 'bad music', the sort of 'promoted music' that is being dished out in the name of popular entertainment. That's why I fully endorse the entry of classical artists into the mainstream music world. Ultimately it will help the cause of classical music and also enrich the mainstream".

Dismissing suggestions of classical music doyens frowning on the likes of Shubha Mudgal's forays on MTV, he feels it is a good Thing. "Even her classical concerts attract more crowds now. How can anyone say it detracts?"

The years of toil seem to have steeled his resolve and he speaks strongly for more corporate involvement in promotion of good music. "Music is not a one-day cricket match but, for a fraction of the money spent on cricket, a world of good can be achieved".

Home for Ronu - Ji is now often a hotel room: he has been living off a suitcase with all his traveling and concert tours.

However when he is home in his Mumbai flat, he is also a cook at times.

Just back from a six-week whistle-stop tour of the UK and the USA, he has a busy schedule ahead promoting his new albums. Yet Pandit Ronu Majumdar wears the fatigue and also his success, rather lightly.

Or, as he says, "I am still the little boy running along the ghats of Benaras".

Courtesy of The Saturday Stateman. 16 September, 2000. Reproduced here for educational purpose only.

 

 
 
©2006 ronumajumdar.com. All rights reserved
Designed by Livepages